Thanks to the Favourite Design blog for the feature of our Brand Packaging Design project for The Woofing Oven dog bakery on their website, Instagram and Facebook pages. The Woofing Oven crafts a fun and creative range of gourmet treats to pamper your furry friends with the love and care they deserve.
Two Videos Displaying the Laser Cutting & Etching Process of Typography on Wood:
Video Displaying the 3D Printing Process of Icons:
DesignWest is a creative growth design program set in Letterfrack in Connemara. It is designed for creatives worldwide who have previously been through university and are established in their careers, who are now seeking to grow creatively through new experiences, being inspired and collaborating with their peers and working on projects outside of their general day to day scope. There are mentors from top design agencies such as Pentagram New York, R2 Design Portugal, Isidro Ferrer Spain and also a number of high profile Irish agencies such as Design Factory, Studio Or and Unthink.
It was a really great experience. We got to use a wide range of facilities such as letterpress printing with Sean Sills from the National Print Museum, riso printing with Studio Or, laser cutting and etching to wood, large scale format printing, debossing and stitching, 3D printing and the use of the wood work room and team. The reputable mentors gave inspiring talks, workshops and advice – really encouraging us to get playful and more hands-on with our creativity, breaking away from the computer screens, with a number of different activities. There was also plenty of practical advice which can be easily applied to our everyday workflow, on return to our own client work.
We were inspired by the local environment, the beautiful west of Ireland, and brought on a number of trips to places such as mussel and oyster farms, the grounds of Alcock & Brown – the first transatlantic flight, Inishbofin island and artist’s studios and talks – all of which went on to inspire our individual projects. In the evenings, we sometimes watched design films in a special screenings cinema and there were some exhibitions also. We had two exhibitions of our work, one of which will travel from Letterfrack to Dublin later this year. It was impressive to see the finished work come together for everyone in the exhibitions and the overall experience of meeting and working with so many international creatives was really enjoyable and good to have established a new network of peers working in the design industry worldwide.
DesignWest was a great way to re-immerse myself in design and creativity and be re-inspired going forward in my career, I thoroughly enjoyed the experience. The end result was graduating with a NFQ Level 9 Special Purpose Award Certificate in Design Research with the subject ‘Design Unplugged’ at GMIT.
I was delighted to have my work selected to be in the Halftone 2017 exhibition, featured in the Library Project in Temple Bar, Dublin.
HALFTONE is an initiative by PhotoIreland Foundation, hosted every year at The Library Project. Running for 18 days, the fair brings together a large selection of works by established and emerging artists, showcasing Ireland’s exciting Art scene.
This humorous and playful collection, depicts the famous seagulls which heavily populate Dublin city centre’s boardwalk, along the River Liffey. These seagulls are known to circulate people eating their lunches, hoping to get a bite.
One print features these birds characteristics of being feisty, friendly and fearless. It also plays on the Dublin slang word for women or girls which is ‘birds’. On another print in the set, the birds have been given popular Dublin girls names. On two of the prints, there is a play on the famous Irish / Dublin song, ‘Molly Malone’, changing the lyrics to feature the birds. This again could refer to the seagulls or Dublin girls.
Images of Dublin’s boardwalk and Liffey in the city centre can be seen through the silhouettes of the seagulls.
See more on the Halftone website here or if you would like to purchase one of these prints, please see them on Etsy.
Dublin’s annual creative design event, hosted in Grand Canal dock, was full of talented speakers and designers eager to soak up inspiration and pick up some design tips and goodies. This year had a high focus on illustration, which was great to see. I am currently enrolled in a one-year illustration course, to develop my illustration style and bring more illustration in to my graphic design work, so it was great to hear about illustrators who are doing well in the industry. Here are a few of the talented designers and illustrators that caught my eye this year:
Marion Deuchars
Marion Deuchars is a Scottish award-winning illlustrator and hand letterer. She is well-known for her children’s book designs, an area of graphic design I would love to get in to in the future, so I found her talk inspiring. She also works with brand and advertising agencies. Her illustration style is playful and appeals to children and adults alike. See more of her work here.
The Project Twins
Great to see young Irish designers speaking at such a big event. This duo hail from Cork and have accomplished a lot already in their careers. The printmakers have spent time in a residency in the Facebook offices, which sounds like it was a lot of creative fun and have been featured in a huge amount of shows and exhibitions. Their work is simple but quirky; their bright and playful illustrations clearly deliver each project message with accuracy and bring a smile to your face. Purchase a print for your home or studio here.
And last, but certainly not least, advertising agency Chemistry
I love Chemistry’s ideas. Their work is the type of work I look at and wish I had done it myself! For the sad death of the All Blacks rugby player Jonah Lomu, they designed this beautiful image below of the New Zealand fern with one of it’s leaves fallen, which very simply and eloquently reflected the tragedy of New Zealand and the All Blacks loss of such an important player and Kiwi legend.
Another strong campaign they spoke about was the ‘I want to get Cancer’ campaign. I must admit this was quite a controversial one. When I first saw it on a bus stop and then on a TV advert, I had mixed feelings. I understood the point but still didn’t like to see those words as they seemed like a negative affirmation at first glance and because of it’s in your face nature, it could pose insensitive to someone with a family member dealing with or having lost someone to cancer. However, the talk really brought more insight to this campaign. They asked half of the audience to stand up and said that by 2020, it is predicted that 1 in 2 of us will get cancer. The figure was quite striking and by separating the audience like that, it really hit home. They said they needed a message that really got attention and drove awareness with people that this isn’t something we should be turning a blind eye to, that we need to be more proactive rather than reactive with fighting it. Some of the team working on this campaign had actually fought cancer themselves, so they were actually in a strong position to speak up about it, after having gone through it personally. They spoke about how the campaign had been really effective and brought in a lot more calls and awareness, therefore it hit the objective of the brief very well and brought the desired outcome.
I also loved their LIDL Christmas advert, which was touching and well created with the story based around families and coming together to be there for eachother.
View it below:
Another striking image they created for an article on the history of the events at Chernobyl, using charred Russian Dolls was also very effective. I think they have the ability to deliver a message effectively in a way that touches on your heart strings and makes you think about the issue.
So that sums up my Offset 2017 highlights – there were many more talented designers speaking but I could only pick a few! Now to put that inspiration to good use…
I recently attended some printmaking workshops, where I got the opportunity to create this playful feline print. Using drypoint as a technique, I focused on drawing textures and patterns to build up this image. Perspex (or plexi) is a great material to bring to these workshops because it is not as intimidating as a copper plate and because it is transparent, you can easily trace over the lines of an existing picture. The quality of the drypoints is also another important factor to pay attention. Investing on good tools show the possibilities that can be explored best.
If you’re anything like me, you’ll love an ole to-do list!
They help keep you organised and remember all those little things either daily, monthly or weekly – depending on how much you like to be organised.
I’m including this handy ‘To-Do’ list I created for myself for you guys to download. It’s set to A4 size (2-up) so when you have it printed, you can simply fold it over to a handy A5 size or cut it in half. Very simple and easy to use.
